Literature

Perelandra

Book cover: 'Perelandra'
Author(s): 
Clive Staples Lewis
Number of pages: 
222 pages
Copyright: 
1944
Publisher: 
Macmillan Pulblishing Co. Inc.
Binding: 
Softcover
Subject(s): 
Grade / Age level: 
Review: 

Perelandra is Venus. Ransom gets sent to Venus on a mission. Of course it takes him some time to get settled with the new surroundings again.

While Mars was an old and mostly ruined world Venus is brand new. The clouds hide a lush tropical paradise. And Ransom is to see to it that this world's "Eve", temporarily separated from her "Adam" for this adventure, is kept from the fall. There is no guarantee. In fact, Ransom bears the same, human, form as the tempter - none other than Weston. But he is more often called the Tempter and the Un-man. He is, like the serpant from Eden, a possessed thing.

Lewis explores original sin AND original good. Having read this in seventh grade, this was the first book that really made me think about the latter a lot. It is a fascinating 'world' to explore. There are incredibly lengthy debates that are actually exciting to read. How can Ransom convince her to choose good when she knows nothing of the other option? How does one justify the good to the just? It is an exploration in first principles.

This book could be read as early as 7th grade. But it would be better understood by high school age.

Click here for our study questions on this book.

Reviewed by: 
First reviewed: 
3-17-2001

That Hideous Strength

Book cover: 'That Hideous Strength'
Author(s): 
Clive Staples Lewis
Number of pages: 
382 pages
Copyright: 
1946
Publisher: 
Macmillan Pulblishing Co. Inc.
Binding: 
Softcover
Subject(s): 
Grade / Age level: 
Review: 
Perspective: 
Judeo-Christian
Reviewed by: 
First reviewed: 
3-17-2001

The Edge of Sadness

Book cover: The Edge of Sadness
Author(s): 
Edwin O'Connor
Number of pages: 
640 pages
Copyright: 
1962
ISBN: 
0829421238
Publisher: 
Loyola Press
Binding: 
Softcover
Subject(s): 
Grade / Age level: 
Resource Type: 
Review: 

At first glance, Edge of Sadness by Edwin O’Connor is a walk down memory lane. A memory of the American Catholic church before Vatican II, before the priest scandals. A lovely, nostalgic read. But the thing that makes this book worthy of the Pulitzer Prize it won in 1962 is the fact that O’Connor’s story is truly ageless. The characters are drawn from humanity, painted with the author’s word-brush so lovingly and carefully that by the end of the book you know each of these folks intimately. And, you like them, in spite of their less-than-virtuous actions. The story centers around a native Bostonian priest, Father Hugh Kennedy, a recovering alcoholic who guides us through the joys and troubles of his life in late 1950s Irish Catholic Boston. Seeing all through the eyes of this humble pastor, the reader is introduced to a wealth of characters: self-made first-generation Irish folks, political hopefuls, fellow priests and “outsiders” such as his Polish curate and a non-Irish, non-Bostonian bishop. The prejudices unveiled are humanely drawn; there's something redeeming in every character, something that Father Hugh finds regardless of their overt actions. Through the book winds a thread of Father Hugh’s own self-examination, a thread that is tested and strengthened by every encounter; encounters which lead Father Hugh just to the brink of despair, to the edge of sadness. But, grace pulls him back from the brink each time. This book, although a hefty 600-plus pages, grips the reader from the first page. It reads quickly and elegantly as the humor and pathos of Catholic American life transcends the era and location in which the story is set. This book is a great read because it shows how American Catholicism was and how it can still be; how the Church is run by humans (who sometimes make mistakes) trying to minister to humans (who sometimes make mistakes) – all with God’s grace and beneficence helping us through. Loyola Classics has added ten provocative questions to the end of the book for the edification of the reader or to facilitate discussion within a book club. These would make for a wonderful “study guide” if used with a teen reading club or individual book study.

Reviewed by: 
First reviewed: 
11-19-2005

The Chronicles of Narnia

Author(s): 
C.S. Lewis
Grade / Age level: 
Review: 
This set of seven books has been a children's classic for decades (and will soon be released as major motion pictures). The action is focused on a small group of children from our own world (Sons of Adam and Daughters of Eve) who are drawn into the activities of a whole separate world - Narnia. The activity extends from our own world, to Narnia, it's neighboring countries, and even other worlds still. Though it is not strictly a parallel to our own world the author ends up showing us a creation-to-apocalypse view of this other world - and in so doing reveals much about the themes that are seen in our own. By seeing another creation (which is not JUST like our own) we are taken out our own mindset and can understand the motives and the majesty of what it must have been like. Most things in Narnia are just enough different to make us think - but still so full of human nature (ironically even in the talking animals of that world) that it is a fascinating exercise for your mind. Discussions of the events and motivations with your children are like a multitude of grapes ripe on the vine - pick ones here and there - you will never finish them all; even in a dozen readings (like honor, duty, charity, worship etc.). The characters are well developed but not hard to understand. In fact, sometimes the fact that a character is such and such an animal is itself revealing! This is a good fantasy story. And it is interesting enough for you and your children to read, discuss and enjoy together.

Reviewed by: 
First reviewed: 
1998-99

The Magician's Nephew

Book cover: 'The Magician's Nephew'
Author(s): 
C.S. Lewis
Number of pages: 
202 pages
Copyright: 
1955
Publisher: 
HarperTrophy
Binding: 
Softcover
Grade / Age level: 
Review: 
The Magician's Nephew, although chronologically first in the series, should probably be read after The Lion, the Witch, and the Wardrobe.. (Even as children should probably be introduced to the story of Christ and his life before going back to the important stories of the Old Testament).

At first glance, this is a story of magic, drama and journeying to other worlds. Digory and his friend Polly, who live in London in the early part of the 20th century, accidentally discover some weird experiments being performed by Digory's Uncle. Too cowardly to test out his own experiments, he sends them off unwillingly to an adventure in an unknown world.

They find themselves in an enchanted place - a "wood between the worlds" - a quiet, peaceful place filled with trees and pools of water. They soon discover that each pool will take them into a different "world." When they decide to explore one of these worlds, their real adventure begins - and they're in for a wild ride.

The story is, primarily, about the founding of a new world - Narnia. The two children witness its creation and its initial struggles with evil - not unlike those of our own world. Naturally, it presents some of the history that leads up to the Lion, the Witch and the Wardrobe as well.

Like the Lion, the Witch and the Wardrobe, children need not be fully aware of the story's allegorical significance in order to enjoy and benefit from the story. On a simpler level, the story highlights truths about character and consequences that will remain with them for a lifetime.

Reviewed by: 
First reviewed: 
4-21-01

The Lion, the Witch and the Wardrobe

Book cover: 'The Lion, the Witch and the Wardrobe'
Author(s): 
C.S. Lewis
Number of pages: 
189 pages
Copyright: 
1950
Publisher: 
HarperTrophy
Binding: 
Softcover
Grade / Age level: 
Review: 
This most famous, and probably most beloved of the Narnian tales was the first one written, and probably the best place to start. I have heard that the author wished for children to read this book first and then go back to The Magician's Nephew afterward.

Four British children - Peter, Susan, Edmund, and Lucy, are taken to the country to live with an old Professor during World War II, as London was quite unsafe for children. The professor is somewhat eccentric, but kind, and permits them to explore his large estate. While hiding in an old wardrobe, the youngest, Lucy, is amazed to discover that there is no back to the wardrobe - as she pushes past more and more coats, they become scratchier and colder and she begins to realize that she's no longer in a wardrobe. She's in the middle of a snowy forest. Lucy has discovered a strange, unknown world where amazing adventures await her and her siblings.

Long beloved by children the world over, this is a tale of innocence, difficult lessons learned, adventure, friendship and love. Underneath and not immediately apparent to children is an allegory. Some truths about our own world can be seen more clearly through a story that takes place elsewhere.

Narnia is in the grip of the White Witch. Although she promises happiness and delightful things, those who follow her are miserable, and the entire land is immersed in an eternal winter - always winter and without Christmas. The mysterious Aslan, a lion who is greatly feared by the witch, comes to Narnia and things begin to change.

Most parents will quickly realize that Aslan is a figure for Christ who saved the world from the tyranny of sin and death (represented by the witch). There are many interesting details that correspond with this allegory. Although I read the series many times as a child, I wasn't fully aware of the allegorical significance until much later. I wouldn't spoil it for children by sitting down and explaining it to them. The Christian allegory will probably be more meaningful if they are permitted to discover it for themselves.

The story (as well as others in the series) is appropriate as a read-aloud even for rather young children and is written at a mid-grade-school reading level. (Strong readers may be interested in tackling it even earlier.) The book is most powerful, I think, when it can be first introduced in the very simple way that young children enjoy such a book.

Reviewed by: 
First reviewed: 
4-21-01

Prince Caspian

Book cover: 'Prince Caspian'
Author(s): 
C.S. Lewis
Number of pages: 
223 pages
Copyright: 
1951
Publisher: 
HarperTrophy
Binding: 
Softcover
Grade / Age level: 
Review: 
The four children return to Narnia, but don't even recognize it at first because it has changed so much. They slowly discover that time is different in Narnia from their own world and that hundreds of years have past. Narnia is now ruled by a wicked man who has no right to the throne. Their adventures involve meeting the rightful heir and raising up "Old Narnia" behind him.

The author puts you right in middle of a thrilling adventure; made more mysterious because children now are looking upon their previous adventures as "ancient history". For my oldest daughter, reading this in early grade school kindled an interest in history and a reverence for "old things" that has remained quite strong years later.

Reviewed by: 
First reviewed: 
5-25-05

The Silver Chair

Book cover: 'The Silver Chair'
Author(s): 
C.S. Lewis
Number of pages: 
256 pages
Copyright: 
1953
Publisher: 
HarperTrophy
Binding: 
Softcover
Grade / Age level: 
Review: 
Eustace Scrubb and a new character, Jill, return to Narnia to save a young prince from his evil captors. Early in the story is a small piece that almost haunts me (in a good way - like something that has become imbedded in my conscience), even as an adult. Because Eustace fails to greet an "old friend" much good that could have happened, is lost, and much work must be done before achieving his mission. The truths that underlie these sorts of details in this entire series are really wonderful.

Back to the plot... the young prince is being held captive, by flattery and brainwashing in an underground kingdom, out of the light of the sun. As with other books in this series, there is a fascinating meld of themes from classical literature and Christian virtues and ideas. This one in particular is reminiscent of Plato's "Cave Analogy". The allegory and adventure are both very strong as the two children and some interesting Narnia natives help to overthrow this evil kingdom.

Reviewed by: 
First reviewed: 
5-26-05

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