Literature

Little House Country, A Photo Guide to the Home Sites of Laura Ingalls Wilder

Book cover: Little House Country, A Photo Guide to the Home Sites of Laura Ingalls Wilder
Author(s): 
William T. Anderson
Illustrator(s): 
Leslie A. Kelly (photography)
Number of pages: 
48 pages
Copyright: 
1989
ISBN / ID: 
0961008881
Publisher: 
Terrell Publishing
Binding: 
Softcover
Subject(s): 
Resource Type: 
Review: 

My family and I may never be able to visit the "Little House" country in person, but this photo-filled book makes us feel as if we were there. This is a picture book in the most literal sense of the word! Each of the full-color, professional photographs has a caption of several sentences describing the photograph and some interesting details about the scenes in them.

The photographer traveled through Wisconsin, Kansas, Minnesota, Iowa, South Dakota, Missouri, and New York to take these pictures. We can see the footbridge over Plum Creek in the summer time and the sun rising over a wintry Silver Lake. We are taken inside Laura's prairie schoolhouse and into the writing study she used as an adult. We are shown a picture of the Ingalls' family Bible with Ma's beautiful handwriting and another of Pa's fiddle. These photographs truly reinforce the idea that the "Little House" books are telling the story of a real family. This book is a "Must Read" for any fan of the series!

Reviewed by: 
First reviewed: 
9-3-02

The Little House Cookbook

Book cover: The Little House Cookbook
Author(s): 
Barbara M. Walker
Number of pages: 
240 pages
Copyright: 
1979
ISBN / ID: 
9780064460903
Publisher: 
HarperCollins Publishers
Binding: 
Softcover
Subject(s): 
Resource Type: 
Review: 

For all those of you whose mouths were watering at all the descriptions of food in the Little House Books (particularly Farmer Boy!), Barbara Walker (inspired by the requests of her own children) has done a great deal of research in compiling lots of recipes (over 100) and other background information on the meals from these books.

Reviewed by: 
First reviewed: 
3-15-01

Mossflower

Book cover: Mossflower
Author(s): 
Brian Jacques
Number of pages: 
384 pages
Copyright: 
1988
ISBN / ID: 
9780441005765
Publisher: 
Philomel Books
Binding: 
Paperback
Subject(s): 
Grade / Age level: 
Review: 

Mossflower, the second book in the Redwall series, tells the story of the founding of Redwall Abbey and of Martin the Warrior's part in it. The peaceful woodland creatures of Mossflower woods are invaded and conquered by a wild cat and his army of weasel, stoats and ferrets. After mounting an unsuccessful attempt at rebellion, the woodlanders slowly retreat further and further into the woods and out of the grasp of the cat. He dies leaving his evil daughter, Tsarmina to rule. Evil as she is, no matter what plan she hatches, she can't seem to subdue the woodlanders and enslave them as she desires. The woodlanders have pinned their hopes on the return of the onetime ruler of Mossflower, the great badger, Boar the Fighter. He had long since left the woods on a quest to the volcano, Salamandastron, and never returned. His daughter, Bella, feels sure that he is alive and must return to vanquish the evil Tsarmina.

Martin the Warrior, a bard-like mouse named Gonff and Dinny the mole leave to find and bring back Boar the fighter. They encounter many adventures along the way, meeting friends and foes, leaving the woodlanders to fend off the increasingly maddened Tsarmina. They do find Boar but his destiny lies in the defeat of an evil sea rat, not in his return to Mossflower. He forges a sword for Martin, however, from the fires of Salamandastron (which is really not a volcano but a huge forge in the mountain) and charges Martin with the duty of the defeat of Tsarmina in his place.

Martin and his friends return to Mossflower just as a plan to flood the evil cat's castle is underway. With Martin's battle plan, the cat's castle is destroyed and the army subdued. Martin himself battles the cat and defeats her. In the end, the mice plan to build an abbey there in the woods dedicated to peace and designed for the protection of the woodlanders. Martin becomes a legend and his saga told to all successive ages of Mossflower inhabitants.

There are many similarities to the original Redwall story, such as a thoroughly evil antagonist, the hero away on a quest during most of the story, the quest ending in finding a sword and a battle between so-called peaceful creatures and trained armies. In this story, however, the hero Martin is portrayed as a noble warrior from the beginning. He has great courage and chivalry and is proven time after time. Another pleasant part of this story is the bard mouse Gonff. He is a delightful character, making up songs and poetry at every turn in the story. The woodlanders are quite ingenious in their resistance to the wild cats (squirrel archers, otter commanders and tunneling moles). I kept thinking that they were doing pretty well without Boar the Fighter. I still found the dialogue trite at times and the plot pretty obvious. When Tsarmina starts to have nightmares about water, we know she's going to die in water.

Mossflower was a good prequel to Redwall in that references made in the first book were explained and the stage set for other stories. Other books in the series suggested by this story include the titles Salamandastron, Martin the Warrior, Luke (father of Martin), Mattimeo (son of Matthias) and more. They all have similar themes in the defeat of evil rats or other vermin by the peaceful, good woodlanders.

Reviewed by: 
First reviewed: 
4-25-01

Redwall

Book cover: Redwall
Author(s): 
Brian Jacques
Number of pages: 
333 pages
Copyright: 
1986
ISBN / ID: 
0441005489
Publisher: 
Ace Books / Penguin Putnam Inc. NY
Binding: 
Paperback
Subject(s): 
Grade / Age level: 
Review: 

This is a novel about a mouse among mice. There is a community of mice that lives in Redwall Abbey. The newest novice, Matthias, cuts a willing but uninspiring figure. He has an inordinate passion for Martin the warrior mouse whose legend is like that of Arthur – except that it lacks everything but the ability to swing a sword for the right side. There isn't much depth to Martin. But thanks to his efforts the abbey is become a place of peace and goodness to the surrounding forest community of animals. The abbey is an impressive structure and a formidable fortress despite it's peaceful look. But it is not 'deep' either -beyond the fact that it is an abbey and that the inhabitants wear robes God, religion and eternal truth is absent to the players in this story. Cluny the Scourge is a rat. He is a big, ugly, evil rat with only one eye left due to his warlike ways. Cluny has a legion of rats, ferrets and other unsavory characters in his company. And Cluny is on the move. He has been wandering down from the north spreading despair and ruin – killing, destroying and pillaging wherever he felt like stopping. Cluny feels like stopping at Redwall abbey. But, he finds the abbey of the 'peaceloving' little mouse community much more impenetrable than he expected – due in large part to Matthais and company. Matthias turns out to be a genius, a rabbit-tail of good luck, and a guy who everybody seems to love and trust. The book goes on and on with battle, skirmish and raids. Matthias is searching and searching for the sword of the legendary Martin. He has a sixth sense about it's ultimate importance (there is way too much sixth sense and forshadowing in this story for my taste). In fact the Abbey is often without his incredible leadership skills and sixth sense intuition because he keeps taking unnecessary sorties. But by extrordinary good luck (and because he's the hero of the book) he survives them all. I still wonder what the sense of this is in the book. It is poor philosopy and worse morals. Cluny, on the other hand, is conducting war as a leader of a rough hewn horde of this type would. In fact the author gets inside his head on a number of occasions regarding strategy, psycholgy and primitive politics. And from what I can tell he is probably quite accurate! This is an interesting study since the gallic wars and other writings of succesful generals usually view the other kind of army – the good guys. I kept wondering where the people were. There is no explanation. Though I did learn late in the book that the abbey was actually built by the mice in ages past (it is not the mouse occupation of a man made church which one would find so believable!) And more importantly I kept wondering why I should be sympathetic to Matthias. He didn't ever quite earn the right to my sympathy even though I knew he was the good guy. And his novice's habit failed to stir me as it seemed to be little beyond just the type of clothes he happened to wear. This is an OK story. I don't get the fanfare though. There are MUCH better war tales out there.

Reviewed by: 
First reviewed: 
1998-99

Redwall (additional review)

Book cover: Redwall (additional review)
Author(s): 
Brian Jacques
Number of pages: 
333 pages
Copyright: 
1986
ISBN / ID: 
0441005489
Publisher: 
Ace Books / Penguin Putnam Inc. NY
Subject(s): 
Grade / Age level: 
Review: 

Redwall Abbey, inhabited by peaceful monk-like mice, is set in the heart of Mossflower Woods and is the center of life for all the peaceful creatures who inhabit the woods. In this story the abbey is besieged by evil sea rats with an infamously merciless huge rat, Cluny the Scourge, as their leader. The rats are unable to conquer the abbey at first fight and thus infuriated, Cluny is all the more determined to have Redwall Abbey as his own. The rats attack the abbey with various battle plans and finally enter the abbey through the betrayal of a field mouse.

One of the abbey mice, Matthias becomes an unlikely hero, rescuing captive field mice, solving mysterious riddles of prophecy, fighting warlike sparrows, killing a huge adder and finally facing and defeating Cluny in one last show-down. Most of this action does not take place in defense of the abbey but on Matthias' quest for the famous sword of an ancient defender of Mossflower: Martin the Warrior. Through one of the prophecies Matthias discovers that Martin had foreseen the days of the rats' attack and Matthias' heroic part of it. He had hidden the sword for Matthias to find and Matthias feels the safety of the abbey rests on this sword alone. Of course it isn't where Martin left it so Matthias must go questing to find it.

When I first read this book several years ago, I was greatly disappointed. It received rave reviews in book catalogs and from 4th and 5th grade teachers everywhere. But, I found the story much too obvious and the writing weak. The dialogue was a distasteful modern sarcastic banter. The plot was full of too many coincidences and no real surprises. The hero showed no signs of heroic virtue, or any other virtue, before he took a central role in the defense of the abbey.

Recently, through the urging of some friends of my children, my husband and I read Redwall aloud to our children. To my surprise, the story, brought to life by my husband reading the voices, was not as stale as I had first thought. The children loved it. Yes, Matthias had no great obvious character from which to draw his heroism but that made him more loveable to my children. He was an ordinary, awkward nobody who rose to greatness and defeated the greatest of evils. He was like them, and yet found the ability to wield a sword. This afforded a great opportunity for discussion about the source of our strength for battling evil.

Fortunately, while they play Matthias and company, they haven't forgotten Jim Hawkins or Peter, Susan, Edmund and Lucy. While I thought the book a somewhat inferior literary effort, it has continued to increase their excitement about reading and storytelling and has not ruined their taste for finer pieces.

Reviewed by: 
First reviewed: 
1998-99

The Lord of the Rings: The Fellowship of the Ring (Movie)

Shot from 'Fellowship of the Ring' movie
Copyright: 
2001
Publisher: 
New Line Films
Subject(s): 
Resource Type: 
Review: 
What a happy thing, especially after all the Harry Potter fuss, to have such a revival in interest in the great Lord of the Rings trilogy because of this new movie (if Harry Potter leads people to Tolkien, I couldn't say much against him). I really believe (and I have noticed this with children of neighbors and friends) that in the end Lord of the Rings tends to be more beloved than Harry Potter. Although Harry Potter can be a little more accessible to younger and/or less experienced readers, the Lord of the Rings is a real adventure story, whereas Harry Potter is more of a fantasy/mystery with a much smaller scope. The Lord of the Rings movies are also making the books more accessible to a new generation of fans.

Overall, Tolkien fans (who are considered rather "fussy") seem to be rather pleased with the movie, and with good reason. Although it's very difficult to turn such a complex and imaginative story into a movie, and the movie will certainly never replace the book, overall I think the movie-makers did a fantastic job. First, and most importantly, I think they captured the overall themes (the temptation of power, the reality of evil, etc.) very well. The characters are very well-cast and quite believable. As might be expected in a movie version, the plot is simplified, several characters are compressed into one, etc. The neat thing is that significant portions of dialogue are taken directly from the book and the essentials of the plot are really quite faithful to the original story. My husband and I (who have both read the books) enjoyed the movie very much. Since we were expecting the birth of a child at the time and she decided to arrive significantly past her due date, we were able to see the movie twice in the theater, which is a real rarity for us.

For those unfamiliar with the books, this first part of three books introduces us to the main characters in the story - Hobbits - and the other races of Middle Earth - dwarves, elves, men and wizards. We see the beauty of the hobbits' homeland - the Shire - and their simplicity and love of nature. We are introduced to Bilbo who discovered "the Ring" and prepares to leave it to his nephew Frodo. When Gandalf discovers the true identity of the ring - the One Ring that was forged by the evil Lord Sauron to control all living things - Frodo sets out to bring the ring to a safer place and thus begins his quest.

This movie is not intended for young children. The story is very complex and focuses on major conflicts between good and evil. Turning it into a movie without making it silly and laughable creates rather intense cinema. Happily the moviemakers sought a PG-13 rather than an R rating and thus there is almost no blood and gore and no bad language or other objectionable content. The movie does, of course, portray battle and action scenes and a number of rather frightening creatures that some young children find too scary even when reading the book. It is sometimes easier to allow younger children to watch this sort of movie when it is released to video/DVD where the entire effect is less intense and scenes may be edited at will.

Although I think that watching the movie will lead many people to pick up the book, I think it best to read the book before seeing the movie so that one's first impressions in the imagination come directly from the book rather than another's re-creation of it. Parents, in particular, might do well to read the book before seeing the movie because, particularly if they aren't regular movie-goers, I think the violence and intensity wouldn't make much sense without being familiar with the plot and themes.

The extended version of the movie, which was released to video and DVD in November 2002, is really worth seeing. It incorporates 30 minutes of additional footage into the movie which helps make the story more understandable and enjoyable, but made the movie too long for the theatrical release.

Additional notes: 

Rated PG-13 (Violence)

Reviewed by: 
First reviewed: 
1-2-03

The Lord of the Rings: The Two Towers (Movie)

Still shot from 'The Two Towers' movie
Copyright: 
2002
Publisher: 
New Line Films
Subject(s): 
Resource Type: 
Review: 
After much anticipation, my seven year old son and I saw the Two Towers on the Saturday before Christmas. My nine year old daughter watched it with my husband the night before in order to switch off with the little ones at home. A year ago I wouldn't have expected to be taking any of my children to see the movie (because of their age), but a lot has changed since then for us. John read the entire Lord of the Rings aloud to the children over the past year. Jacinta read it, again, on her own. She and Matthew have also listened to the 13 disc BBC audio drama numerous times. They also very much enjoyed the Fellowship of the Ring movie on the "small screen". The point is that they have really attained a decent grasp of the story. In addition, my son, who doesn't like loud noises much, wore earplugs (which diminishes the intensity quite a bit) and my husband and I both did a bit of editing by simply covering their eyes with our hands. This was necessary during the previews and commercials before the movie more than for the movie itself.

Two of the toughest characters to portray - Gollum and Treebeard - were absolutely amazing. Gollum is a complex character - tortured by his desire for the ring, whom you don't know whether to hate or pity. A computer graphics generated character, he was entirely believable and pathetic in the way, I think, Tolkien intended him to be imagined. Treebeard could so easily have been a silly cartoonish character. While not without humor, he's also magnificent and ...respectable in the way that one would appreciate and admire an older gentleman who's a bit eccentric.

There are several general things that I think remarkable about this phenomenal task of creating movies from Tolkien's beloved stories. (For those who really like movies, as my husband and I do, the Fellowship of the Ring DVD is interesting partly because of the extensive commentaries, interviews, photo galleries, etc. which provide details on both how the movies were made and what the movie-makers were trying to do.) Many of the people most intimately involved in the movie production have read the story countless times. Faithfulness to Tolkien was a major priority for them. They have referred to the books over and over again, not just in writing the screenplay, but in how the actors portray their parts. A great deal of attention and thought has gone into many, many details of the story. For example, recordings exist of Tolkien himself reading parts of his stories. Ian McKellan, who plays Gandalf, based his portrayal of Gandalf, in voice tone and expression, on these recordings. Christopher Lee, who plays Saruman, has read the books every year for decades. In addition to his excellent portrayal of the villain, he discussed parts of the book with the other actors to be sure that certain details weren't left out. The two artists most famous for illustrating editions of the Lord of the Rings, Alan Lee and John Howe, worked as art consultants on the sets and miniatures. Peter Jackson, the director, collaborated with hundreds of cast members, production members and Tolkien fans to fine tune the script and the ideas. We had a local news story here in Wisconsin about a man who was, as a hobby, an expert in Tolkien's fictional languages. He offered his services to Peter Jackson and was invited to play a part in the production. I've never heard of any project done in this kind of fashion and the final result is truly reflective of the incredible effort and labor of love that went into making these movies.

Jackson and crew did a great job of balancing this rather dark, middle part of the story with some enjoyable comic relief (especially found in the character of Gimli the dwarf) which flowed quite well. I thought there were a few more unnecessary plot-deviations than in the first movie (particularly a significant thread involving Aragorn), but this annoyance was rather minor. We enjoyed the movie very much and look forward to its conclusion, The Lord of the Rings: Return of the King, coming out in December 2003.

Additional notes: 

Rated PG-13 (Violence)

Reviewed by: 
First reviewed: 
1-2-03

The Mitchells: Five for Victory

Book cover: The Mitchells: Five for Victory
Author(s): 
Hilda Van Stockum
Number of pages: 
236 pages
Copyright: 
1945
ISBN / ID: 
9781883937058
Publisher: 
Bethlehem Books
Binding: 
Sewn Softcover
Grade / Age level: 
Review: 

This is a charming and thoughtful story of an American family of five children during World War II (based on Hilda Van Stockum's own family) whose father is away at war. The family is very real with plenty of worries and troubles...but they manage to find joy with each other. For independent reading, it could be one your children's first full-length chapter books.Wit and wisdom make it a can't miss for adults as well (a perfect read-aloud). This has been a favorite with our family (for children as young as four or five) for many years.

Washington D.C. is an exciting place to grow up and the children are enchanted with pets, clubs and a mysterious girl who has just moved in down the street. Mother's attempts to take in boarders and a visit from Uncle Jim and "Mr. Jenkins" keep them busy while Father is away. Pets and babies are particularly memorable characters.

There is an aspect of the story that might be troubling for young children sensitive about adoption. A neighbor who considers adopting a war refugee decides not to because the child doesn't get along with the lady's son. The fate of adopted children is discussed rather carelessly by this lady (in terms of "well, my son has to come first") and the mother of the Mitchells doesn't have any good comebacks to resolve the issue. The story resolves nicely, however, as the girl ends up finding her grandfather, but this segment might need a little explanation. My sister-in-law (who has two adopted children) found the issue troubling and put the book aside until her children were older.

Perspective: 
Catholic
Reviewed by: 
First reviewed: 
12-12-05

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