No name

The Story of Science

Newton at the Center
Author(s): 
Joy Hakim
Number of pages: 
256 pages
Copyright: 
2005
Publisher: 
Smithsonian Books
Binding: 
Sewn Hardcover
Review: 

Hakim's The Story of Science is an attractive but frustrating piece. Her comprehensive portrayal of the history of physics is extensively researched and beautifully illustrated, but marred by a steady stream of errors of science and history and an irritating political and philosophical drumbeat about things like population control and the proper separation (only now known to man) between religion and science.

The history of science is ambitious topic, requiring both an insight into science and a knowledge of history. It was perhaps wise to exclude almost completely the life sciences – biology, medicine, anthropology, and paleontology -- as well as the earth sciences of geology and meteorology. No controversy about Darwin here! Nevertheless, having made that decision, it might have been well to rename the book, indicating that it would be primarily "the story of physics", with substantial segments on chemistry and astronomy (which could hardly be left out of the history of physics) and no more than a passing mention of other topics.

It would be still clearer to say that Hakim is here presenting the stories of the physicists, in chronological order, with brief and mostly modern explanations of the insights they were working through. This is enough subject matter to be very challenging, very interesting, and certainly more useful than long explanations of old and erroneous ideas. We see the faces of the physicists, their equipment, and the geography of their homes and travels. Sidebars on the scientific or mathematical principles they were investigating are mostly well done but make it difficult to sort out what was actually known at a particular time, and are so numerous as to distract from the flow of her present-tense narrative.

Hakim's errors of science range from minor failures of clarity and information to real confusions indicating that she does not understand her material. The book cannot be used as a stand-alone science course; it must be checked.

  • In a minor misstatement, she reports (p. 51) that Tycho Brahe "guesses that the stars are at least 700 times further than Saturn. He is wrong about that; the nearest star is more than 20,000 times farther…" Well, if his guess was "at least," he was right of course. What is important here is to note what a stretch was required of the 17th century imagination. The difficulty of accepting a sun-centered cosmos was not just traditionalism, but the radical expansion of our imagination regarding knowable space.
  • More problematic is her boxed discussion of Tycho's supernova. First, (p 50 blue print in the green box) she says that "[I]n a split second, a massive star runs out of fuel… gravity collapses the core." Well, the collapse is sudden, and it happens after the star runs out of fuel, but the running out of fuel is not particularly abrupt, and it is the cooling after that depletion that brings about sudden collapse. And actually, Tycho's supernova worked a little differently, because it was not a core-collapse supernova. So it gets worse…
  • (In the same box, black print,) Hakim says that "a supernova explosion destroys the original star. A nova explosion happens on the surface of a white dwarf…" On page 51, (still in the green box), she offers an image of "what's left of Tycho's 1572 supernova… There's no trace of a stellar core which suggests that the original star was a white dwarf in a binary system rather than a red giant. If a core does survive, it can become a neutron star or a black hole." So does a supernova destroy a star, or can it leave a core? And was this a nova – as suggested by the mention of its being a white dwarf -- or a supernova? An attentive student must run through several sources to find the answers. An ordinary reader may shrug – astronomy is too difficult for me!
  • On page 85, there is a discussion of Galilean relativity. This is an unusual term, likely to confuse her readers as it certainly confused Hakim herself. She states that Galileo merely reported the visual difference between the appearance of a vertical path when a ball dropped from a mast and viewed by the moving ship's passengers -- and the curved appearance of the same ball's path as viewed from shore against a stationary background such as quiet clouds – my addition; there should be clouds in the picture – or something clearly stationary. Hakim says that "Albert Einstein, in the twentieth century, will help with the explaining." We don't need Einstein for this one; Newton works. A cloud will do it, and an artist who knows what he is illustrating. Einstein's topic was far more subtle.
  • Hakim reports (p. 289) that "Hydrogen molecules (H2 with only two protons and electrons) are small and light. Most other molecules are heavier." Well, if molecules are composed of two or more atoms, all other molecules are heavier; this is her definition in two places. But, without commenting on the discrepancy, she alternates this with a definition which allows for single atoms -- such as those of the noble gases and the metals of coinage -- to be considered molecules. This is very confusing, and one wonders what she herself intended to convey.
  • In discussing Avogadro's insight into gases, Hakim reports that: "His idea only makes sense if the particles in a gas are far apart, with space between them (which is the case – even for liquids and solids.)" No, no! This is only about gases. Adding the liquids and solids means Hakim didn't get the picture. Will her readers? (also p. 289)
  • Hakim says, "An ellipse is not just any old oval; it has a precise curve." It would be best to say nothing about ovals, which are wider at one end, like an egg, but which do have a "precise" mathematical definition. (While the two foci of an ellipse are points, an oval has a circle at one focus.) Comparing the mathematical and astronomical term "ellipse" with the colloquial (not mathematical) term oval is too bad. (p. 358) Besides, she discussed the drawing of ellipses on pages 129-131. Since this is a history of sorts, it would have made sense to mention in this drawing lesson that the conic section was from Apollonius of Perga in 200 B.C. and the pin drawing was James Clerk Maxwell's idea in 1845.
  • Hakim reports that metals "mostly have high melting and boiling points (except for mercury, which is the only metal that is liquid at room temperature) ." Yes, well, mercury has a very low melting point, but gallium melts in your hand, so that's a pretty low melting point too. (p. 296)

As I said, a range of errors of many types.

Her sense of history as a setting for the story of science is worse.

The first two paragraphs in the first chapter takes us right to the heart of the matter – the first one is about population growth leading to deforestation, starting in the Middle Ages. The next is a rather poorly considered piece on St. Joan of Arc, not a personality who needed to be included – rather carelessly -- in a history of science, merely to provide some color for the years before 1453, Hakim's starting date for this volume. As is often the case throughout this work, this loaded "setting" story is simply off-topic.

Continuing the topic of deforestation, we find, on pages 2-3, a full spread with images and text explaining how deforestation began in the Middle Ages, and continues with the destruction of the rainforest. "Big question: Will the forests continue to be threatened by population growth?"

This gratuitous tree politics with its eugenic bias raises all sorts of political and philosophical questions, not to mention that the very progress she lauds really depended on the plow because you can't do science until farming gets easy enough to leave time for other things. Anyway, a book in which the Big question is overpopulation is opposed to the Catholic attitude towards the miracle of human life. Big red flag right there on page 2, and it goes on.

Of course most of the history errors are the usual ones having to do with the stupid old middle ages, the foot-dragging Church, and the wonderful Greek and modern thinkers.

For example, Copernicus (p. 31) is about to make discoveries that "will challenge everyone's ideas about the heavens and the Earth," says Hakim, winding up to his sun-centered universe. But when we get there, we find (p. 38) that Aristarchus has been there. So now are we to suppose that Copernicus was the first guy to read Aristarchus since 200 B.C.? Nor is she correct in asserting that "the Aristotle/Ptolemy model has worked well enough for centuries." It was precisely because it didn't work well enough that Copernicus was asked to correct it. Of course it is only too well known that some people were irritated by the work of Copernicus, but by no means "everyone", for the Church which requested Copernicus' research set about using his work and had the new calendar in 40 years.

In philosophy, Hakim shows the colors of her consultants when she states (p. 19) that "The act of observing the [subatomic] particles changes their behavior." This is part of the thinking of many, but by no means all 20th century physicists, not of Einstein for example. Philosophically, it is called positivism; it is going out of favor, and it has arguably hobbled physics for half a century. In any case, it is not an established scientific fact, and it is opposed to Catholic philosophy, for it leads directly to the question whether anything can be known at all, as she puts it: "Is there really any certainty in science?"

Then, at the end of her book, Hakim raises the question why the western world has been the leader in scientific thought. Her answer, admittedly personal, is that we have the Greek heritage of freedom plus the Renaissance insight of tying mathematics to physics. Perhaps she does not even know that Father Stanley Jaki (20th century physicist and theologian with a specialization in the history of science) has argued for a very different answer – a conviction of order that only came with Christianity. This is not the place to argue with her, but only to say that she hasn't read the basic alternative arguments, (either Jaki or the more accessible Thomas Woods) on this topic and her answer is merely an uninformed and irritating opinion, oblivious of the Catholic contribution, and not seriously related to the actual history of science.

One last complaint would be hilarious if it were not meant seriously. On page 97, Hakim is talking about the end of our sun and wondering where we'll be when it goes: – "maybe in another solar system or another galaxy or another universe."

Hmmm. Another solar system is not such an easy matter.

Another galaxy? Clueless. As ignorant of the meaning of distance as Brahe was about the distance to the stars.

Another universe? Such words seemed to have a meaning when we thought other galaxies were other universes; now they are just noise. It's heaven or nothing, folks.

Perspective: 
Secular
Reviewed by: 
First reviewed: 
1-10-2008

The Story of the Other Wise Man

Book cover: 'The Story of the Other Wise Man'
Author(s): 
Henry Van Dyke
Number of pages: 
72 pages
Copyright: 
1895
Publisher: 
Lepanto Press
Binding: 
Sewn Hardcover
Grade / Age level: 
Review: 
This is the intriguing and classic story of Artaban, the "other" wise man who searches for Jesus his whole life while "foolishly" spending his treasures - which had been intended as a gift for the newborn king - on the poor and needy. A beautiful and touching story, it is quite short, but the vocabulary is challenging enough to be appropriate for upper grade school or high school

Reviewed by: 
First reviewed: 
4-26-01

The Story of the Other Wise Man

Book cover: 'The Story of the Other Wise Man'
Author(s): 
Henry Van Dyke
Number of pages: 
72 pages
Publisher: 
Lepanto Press
Binding: 
Sewn Hardcover
Grade / Age level: 
Review: 
This is the intriguing and classic story of Artaban, the "other" wise man who searches for Jesus his whole life while "foolishly" spending his treasures - which had been intended as a gift for the newborn king - on the poor and needy. A beautiful and touching story, it is quite short, but the vocabulary is challenging enough to be appropriate for upper grade school or high school.

Perspective: 
Catholic
Reviewed by: 
First reviewed: 
4-26-01

The Story of the Trapp Family Singers

Book cover: 'The Story of the Trapp Family Singers'
Author(s): 
Maria Augusta Trapp
Number of pages: 
320 pages
Copyright: 
1949
Publisher: 
Harper Paperbacks
Binding: 
Softcover
Subject(s): 
Grade / Age level: 
Review: 
This is the actual book, written in 1949, which inspired the script of the movie the Sound of Music. It is Maria and her family's autobiography, covering some early details of the Captain and Maria's separate lives and the history of the family from Maria's position as teacher to the young Maria all the way through the late 1940s. After reading the World of the Trapp Family (reviewed below), I finally picked up this book which I had started to read years earlier, but never finished.

I found this a really delightful and engaging book. Maria, who in not a professional writer and is writing in her second language, comes across with a style that is a little unusual, but very charming and personable. In many little details, the movie is surprisingly faithful to the book, but in other ways, it actually understates rather than exaggerates some of the amazing aspects of the story. This book also goes well beyond the scope of the movie, even when looked at chronologically. There are many reasons to recommend the book, but my favorite aspect of the book is how Maria comments and reflects (in a very Catholic way, may I add) upon the events surrounding her and her family - the providence of God in many parts of their lives, the importance of music in culture, her thoughts on the discipline of children, some of the terrible events and persons of Europe during World War II, and on and on. Although I was reading the book to myself (and there are many reflections of interest to Catholic mothers), there were many, many little fascinating and humorous stories within the story that I had to share with my husband and children.

Perspective: 
Catholic
Reviewed by: 
First reviewed: 
11-3-01

The Tightwad Gazzette

Book cover: 'The Tightwad Gazzette'
Author(s): 
Amy Dacyczyn
Review: 

This book is available in either three individual volumes or a newer paperback compilation. The books are collections of individual Tightwad Gazzettes, a newsletter filled with thoughts and ideas about saving money, getting out of debt, living on one income, etc. Some of the ideas seem a little extreme, but Mrs. Daczycyn explains that she has had people in very desperate situations call her for advice. She feels that it's worthwhile to include all of these ideas as they may be helpful to some. Most of the ideas, however, are very creative way of stretching a dollar and will be helpful to many. Also, the ideas are indexed so that you can easily go back to the recipe for homemade playdough or her statistics on the money/time saving comparisons of owning a dishwasher or washing by hand. She does have ethical lines she won't cross just for the sake of saving money, but most homeschoolers won't agree with EVERYTHING she says - she feels that public schools and network television are GREAT deals. You may be surprised to discover that the books are rather engaging. One of my sisters-in-law even described them as "addictive."

Reviewed by: 
First reviewed: 
1998-99

The Trees Kneel At Christmas

Book cover: The Trees Kneel at Christmas
Author(s): 
Maud Hart Lovelace
Illustrator(s): 
Marie-Claude Monchaux
Number of pages: 
112 pages
Copyright: 
1951
ISBN: 
9781562399993
Publisher: 
ABDO & Daughters Publishing
Binding: 
Softcover
Review: 

Maud Hart Lovelace is famous for her Betsy-Tacy series of chapter books. The Trees Kneel At Christmas is a delightful story of two Lebanese-American children in 1951 Brooklyn. Their grandmother tells them how the trees kneel on Christmas in their homeland of Lebanon, but in their new home of Brooklyn the people do not have enough faith for the trees to kneel.

However, the children do have faith and they set out to prove that the trees do in fact kneel down in honor of our Lord's birth in Brooklyn. When the adults leave for Midnight Mass, the children sneak away to the park so that they can witness the trees at midnight.

This is a story about having the faith of a child, the kind of faith that Jesus calls us all to hold.

Reviewed by: 
First reviewed: 
12-11-2005

The Trivium: the Liberal Arts of Logic, Grammar, and Rhetoric

Book cover: The Trivium: the Liberal Arts of Logic, Grammar, and Rhetoric
Author(s): 
Sister Miriam Joseph, C.S.C.
Number of pages: 
292 pages
Copyright: 
2002
ISBN: 
9780967967509
Publisher: 
Paul Dry Books
Review: 

This little gem was used as a freshman college course after the author met philosopher Mortimer Adler and understood the importance of teaching basic language skills as the foundation of other learning. After some years of study, she put together this course in the Trivium, the three language arts – of word relations (grammar), concept relations (logic), and composition (rhetoric). The result is a primer in Aristotle's Categories, a demanding course in logic, and a prerequisite to good composition. It is not, mind you, a course in grammar conceived as the study of commas, periods, and subjunctive verbs, though it might lead to insight into these matters. Not is it a course in "symbolic logic", the modern logic stripped of thought and studied simply as a form of mathematics. Rather, Sister Miriam offers a prerequisite to philosophy and writing, for this is a course in clear thought and the right use of language.

With all this, The Trivium is demanding, yet it is very accessible. Despite its original use as a freshman college course, it reminded me very strongly of my high school logic text, which, like this, was the work of an obscure nun who had studied Aristotle and wanted his clarity to form the minds entrusted to her care. I look forward to the opportunity to use it at the high school level.

Not only is the volume accessible, but one must delight in its literacy. The illustrations are taken from the great literature of western culture – so the mind is always lifted. It is a pleasure to read, and study is always rewarding, because every step sparkles with beauty and interest as well as clarity. Many of Sister Miriam's examples were originally taken from great literature; her loving editor Marguerite McGlinn has taken the liberty of replacing those illustrations which were time-bound with even more good literature so as to move the book into its rightful place as a timeless resource.

For those who know and love Dorothy Sayers' little essay on the trivium, it may be appropriate to warn that this is not in any sense a resource for primary or middle school children.

Reviewed by: 
First reviewed: 
10-4-02

The Trumpeter of Krakow

Book cover: 'The Trumpeter of Krakow'
Author(s): 
Eric P. Kelly
Illustrator(s): 
Janina Domanska
Number of pages: 
224 pages
Copyright: 
1928
ISBN: 
9780689715716
Publisher: 
Aladdin Paperbacks
Binding: 
Softcover
Subject(s): 
Grade / Age level: 
Review: 

The Trumpeter of Krakow is set in fifteenth century Poland. The main characters are Pan Andrew, a Ukranian farmer, his son Joseph, and Elzibieka, the niece of a neighboring alchemist. Joseph and his parents flee to Krakow after their home and fields are mysteriously burnt. Joseph thought that they had left all their troubles behind them, but a villain named Button Peter continues to pursue them, trying to get something of great value from them. When they reach Krakow, Joseph's father surreptitiously changes their names, leaving behind all traces of their past.

The story focuses on two Polish legends: the story of a young trumpeter in the church of Our Lady Mary, who keeps his oath as trumpeter, even to the death. The second is the Great Tarnov Crystal – reputed to be a thing of great beauty and power. Joseph Charnetski and his family are bound by an ancient oath to protect this famous jewel from any who would try to take it.

The Trumpeter of Krakow was first published in 1928. The book has several villains and many twists and turns in the plot. It is fast-paced and exciting. My brothers and I give it a nine out of ten rating. We all enjoyed the style of writing and found the plot adventurous. I would recommend this for grade six and up or a great family read aloud.

Additional notes: 

Reprinted many times.

Reviewed by: 
First reviewed: 
3-2-2000

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